As the state toys with a cultural opening at home, it is beginning to embrace the power of the arts to improve the country’s image abroad.
In 2014, Yemeni-Scottish filmmaker Sara Ishaq’s film “Karama Has No Walls,” an account of the March 18, 2011 massacre of 53 protesters gathering for prayers by the Yemeni government, was nominated for an Academy Award for best documentary short film.
Embrace Doha began with the simple idea that a two-way dialogue can create sustainable friendships and connections, and at the same time aid in the preservation of Qatar’s traditional identity as it undergoes intense development and transformation.
When Hala Abdullah started the Riyadh Writing Club with her best friend, Mashael Alblehed, in 2009, they had in mind an easy way to meet and get inspired by other writers.
Maitham Al Musawi is a rarity in Oman. In addition to being an orthopedic surgeon, he is an award winning independent filmmaker.
Nuqat is a Kuwaiti, non-profit design initiative started in 2009 by Wakim Zeidan, Sara Al Nafisi, Hussa Al Humaidhi, and Dana Al Hilal.
Yemen’s war is a forgotten catastrophe. Peter Maurer, the president of the International Committee of the Red Cross, stated in August: “Yemen after five months looks like Syria after five years.” All too commonly, civilians are bearing the brunt of the violence in Yemen.
The Arab Gulf States Institute, in cooperation with the Middle East Institute, co-hosted a talk about the growing visual arts sector in the United Arab Emirates.
Having failed to shape the society to its liking, can the Islamic Republic adapt to a society that is increasingly demanding separation between religion and state?Learn More
Through its careful examination of the forces shaping the evolution of Gulf societies and the new generation of emerging leaders, AGSIW facilitates a richer understanding of the role the countries in this key geostrategic region can be expected to play in the 21st century.Learn More